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In the first cycle, �Murder House,� that hysteria gave us a wonderfully absurd fifty-car pile-up of a plot as the show turned its high body-and-ghost count into an excuse to indulge in bondage fantasies with a supernatural twist. I haven�t seen �Asylum,� but the reactions I�ve heard range from �passable� to �steer clear like the plague� �perhaps the hysteria was too much, the tone shifts too painful. Now, �Coven� begins by trying to hide the hysteria. It hides it behind an improved production design, a glossier, cinematic look loaded with Dutch angles, fish-eye lenses, silent film footage, and overhead shots so irrelevant it�s almost ballsy. With �Breaking Bad� gone, �American Horror Story�s� wasted no time asserting itself as TV�s visual showboat. �Coven� might be best watched with the sound off, just to focus on the pretty pictures.